
The A-side to this tune was 'Color Him Father', a homage to paternal values not unlike Clarence Carter's 'Patches'. It was a top ten r&b and pop hit, earning the Winston's a Grammy in 1968. The B-side must always have enjoyed good club play with its driving beat, Memphis style horn line and funky breakdown, but with the advent of sampling it was given a new lease of life, indeed I've even read somewhere that it has a legitimate claim to being the most sampled track of all time. I don't know about that, but I do know that with this one single The Winston's assured their place in soul history.
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